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- Birmingham Royal Ballet
To be one of the world’s best classical ballet companies, respected for its excellence, artistic innovation and social responsibility, that connects with its audiences and communities in its home city of Birmingham, throughout the UK and across the world.
Birmingham Royal Ballet shares the ambition of the city of Birmingham to be recognised internationally as a successful, innovative and culturally diverse city by becoming a focus for excellence in dance development and performance.
We can achieve this by:
Pursuing a passion for dance, and ballet in particular, that impacts on people of all ages, through professional engagement, regular participation or sheer value-for-money enjoyment of the company's work
Recognising Birmingham Royal Ballet's current world class skills and building long term practice to develop the future skills needed to sustain and develop the industry and the company's work
Recognising the power of art to transform people's lives and using the company's elite skills to be a valued partner in social change
Pursuing pathways to communities new to ballet by deepening our understanding of and breaking down historic barriers to attendance and engagement
Birmingham Royal Ballet's Philosophy
The company will work hard to earn the respect of the people of Birmingham and its peers for taking creative risks and using its position as Britain's most creative and versatile touring classical ballet company to inspire and delight audiences with work that is relevant, exciting and technically excellent.
Ninette de Valois founds a company at Sadler's Wells Theatre. It is known as the Vic-Wells Ballet as it performs both at Sadler's Wells Theatre and the Old Vic Theatre in London.
Sadler's Wells Theatre is bombed during the war and consequently the company begins to tour widely throughout the country. At this point the name of the company is changed to the Sadler's Wells Ballet.
The Company is invited to become the resident company of the Royal Opera House, Covent Garden. De Valois therefore decides to found a second company called Sadler's Wells Theatre Ballet at Sadler's Wells Theatre.
Sadler's Wells Theatre Ballet undertakes a highly successful tour of the USA.
Sadler's Wells Theatre Ballet temporarily loses its link with Sadler's Wells Theatre and bases itself with its sister company at the Royal Opera House.
A Royal Charter is bestowed on both Companies and their joint school. The Sadler's Wells Ballet becomes The Royal Ballet and Sadler's Wells Theatre Ballet becomes the Touring Company of The Royal Ballet.
The Touring Company returns to base itself at Sadler's Wells Theatre, while continuing to tour the country.
The Touring Company changes its name to Sadler's Wells Royal Ballet, with Peter Wright as Director.
Birmingham Hippodrome and Birmingham City Council invites Sadler's Wells Royal Ballet to re-locate to Birmingham.
Sadler's Wells Royal Ballet moves to a new home in Birmingham and changes its name to Birmingham Royal Ballet.
Peter Wright retires. David Bintley becomes Artistic Director.
Christopher Barron succeeds Derek Purnell as Chief Executive.
David Bintley's new production of Cinderella is broadcast as the BBC's Christmas ballet.
After year-long building works, Birmingham Royal Ballet's refurbished Birmingham home officially opens for business in January.
Jan Teo succeeds Christopher Barron as Chief Executive.
Birmingham Royal Ballet celebrates 25 years in the City.